<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[&quot;Inventor&quot; of the modern 8-string and its tuning?]]></title><description><![CDATA[<p dir="auto">Hi,</p>
<p dir="auto">It's well-established that Narciso Yepes, in close collaboration with Jose Ramirez III, came up with the design and specific tuning scheme for the modern 10-string guitar. This all happened around 1961 to 1964, no one seems to know the precise date of the 10-string debut. Even the location of that concert (Madrid, Barcelona, or Berlin) is up for dispute. And again, I am specifically referencing the modern version, and not factoring in Carulli's decacorde and/or other 19th century designs. But what about the modern 8-string? The earliest one I can think of (again speaking of the modern design) was Jose Tomas's Ramirez, built in the late 1960s or early 1970s. Was this designed as a "smaller/simpler 10-string"? And what was the initial "preferred" tuning scheme for the 7th and 8th strings? On my own 8-strings, I've tended toward 7=B and 8=D, a re-entrant sort of tuning, and this is meant for renaissance lute music*. Drew Henderson uses 8=A and 7=D. Paul Galbraith and others throw a real curve ball here, by keeping the "main six" strings in slots 2 to 7, and adding a higher and lower A string to the outermost slots.</p>
]]></description><link>https://forum.proguitar.com/topic/123/inventor-of-the-modern-8-string-and-its-tuning</link><generator>RSS for Node</generator><lastBuildDate>Fri, 11 Sep 2026 17:00:42 GMT</lastBuildDate><atom:link href="https://forum.proguitar.com/topic/123.rss" rel="self" type="application/rss+xml"/><pubDate>Wed, 04 Apr 2018 12:31:05 GMT</pubDate><ttl>60</ttl></channel></rss>