Anchoring the pinky
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Hello everyone and Emil!
What an amazing forum here and great lessons. So glad i joined!
I have a question regarding anchoring with the right hand. It is very common to anchor some part of your palm on the bridge of the guitar to create a solid foundation for picking and muting. But I've come across a lot of examples of players not only anchoring on the bridge, but also anchoring the pinky on the pickguard below the high E-string.
What are the advantages of this? I've experimented with it and it seems to slightly improve picking precision, but I find it harder to relax my picking hand with the pinky being pushed (lightly) onto the pickguard to anchor.
When looking at Emil playing he never seems to anchor the pinky. But I see many other great players do it such as Tommy E. and Andrea Valeri. Check Andrea here i.e. using pinky anchoring:
Andrea Valeri - Guanches (live) – 02:14
— Guitar VillageAnd Tommy too:
Acoustic Nation Lesson: Tommy Emmanuel Teaches His Picking Technique – [01:30..04:42] 04:42
— Acoustic Nation -
Hi Jonathan!
So sorry for the late reply!
Really glad that you're part of the site!! :)This is a great question, and many players are wondering about this.
The reason for anchoring the pinky on the pickguard is for stability and so that you get a steady right hand that is not floating around too much when playing. Many people do this - such as the players you mentioned, but also Chet Atkins and many other great fingerstyle players.
The big advantage for this is that you can bring up your hand from the bridge - so that you don't mute any strings, but still get a steady hand. For instance, watch Tommy at 4:28 in this video, where he plays a open string run (in the song "blue moon") with all strings ringing out beautifully - but he still has that steady hand floating over the bridge - because he is able to use his pinky to have a real steady hand even though nothing is muted. https://www.youtube.com/watch?v=sZA7g0A7asISome players rarely do this, like myself. I get the steady hand from having my palm on the bridge and/or from the right arm against the top of the guitar, so to speak. So when I don't want to mute the strings and play an open run for instance on the lower strings - it's a little bit more difficult for me to have a real steady hand without muting anything.
So I'd say that using your pinky on top of the guitar can be a great thing! But if you're like me, that might not feel natural to do - and that's ok too! :) Some players rarely use the pinky on top of the guitar and sound great anyways, so it's all about finding your own way of playing that feels good. Try practicing an open string run using most strings - and see if you can get your hand real steady without muting the strings. That's a great way to work on this!
Hope this helps!
Kind regards/Emil -
@emilernebro @25jonathan I recently started considering the same issue. As I've been playing more I noticed I naturally gravitated towards pinky anchoring. The problem for me is in the last year as I've gotten deeper into finger style and playing more often and longer, I get a lot of pinky pain and it starts to feel tired. I also might have some nerve issues from an old injury / cupital tunnel issues and sometimes it gets really numb and wants to stay curled up.
I'm considering retraining to not plant my pinky just to avoid the pain/numbness, but since it's so instinctual I'm considering practicing with a rubber hand keeping the pinky tied to ring because its so hard to stop.
